Beethoven Fur Elise – Bagatelle in A minor – Piano

visit my webpage – joolsscott.co.uk “Für Elise” (German for “For Elise”) is the popular name of the bagatelle in A minor WoO 59, marked poco moto, a piece of music for solo piano by Ludwig van Beethoven, dated 27 April 1810. Beethoven scholars are not entirely certain who “Elise” was. The most reasonable theory is that Beethoven originally titled his work “Für Therese”, Therese being Therese Malfatti von Rohrenbach zu Dezza (1792-1851), whom Beethoven intended to marry in 1810. However, she declined Beethoven’s proposal. In 1816 Therese, who was the daughter of the Viennese merchant Jacob Malfatti von Rohrenbach (1769-1829), married the Austrian nobleman and state official Wilhelm von Droßdik (1771-1859). When the work was published in 1865, the discoverer of the piece Ludwig Nohl mistranscribed the illegible title as “Für Elise”. The autograph is lost. The piece begins 3 with a right-hand theme accompanied by arpeggios in the left hand; the harmonies used are A minor and E major. The next section maintains the same texture, but broadens the chord progression to include C major and G major. A lighter section follows, written in the key of F major, then a few bars in C major. The first section returns without alteration; next, the piece moves into an agitated theme set over a pedal point on A. After a gauntlet of arpeggios, the main theme returns, and the piece quietly ends in its starting key of A minor, with an Authentic Cadence. Adelaide (Beethoven) An die ferne

Charles Edward Stephens – Piano Trio in F Major – Violin Part, Op.1 sheet music is available online.

Brentano String Quartet / Mendelssohn Op. 80

Quartet for Strings no 6 in F minor, Op. 80 by Felix Mendelssohn Mark Steinberg, violin Serena Canin, violin Misha Amory, viola Nina Maria Lee, cello Since its inception in 1992, the Brentano String Quartet has appeared throughout the world to popular and critical acclaim. “Passionate, uninhibited and spellbinding,” raves the London Independent; the New York Times extols its “luxuriously warm sound [and] yearning lyricism”; the Philadelphia Inquirer praises its “seemingly infallible instincts for finding the center of gravity in every phrase and musical gesture”; and the Times (London) opines, “the Brentanos are a magnificent string quartet…This was wonderful, selfless music-making.” Within a few years of its formation, the Quartet garnered the first Cleveland Quartet Award and the Naumburg Chamber Music Award; and in 1996 the Chamber Music Society of Lincoln Center invited them to be the inaugural members of Chamber Music Society Two, a program which has become a coveted distinction for chamber groups and individuals ever since. The Quartet had its first European tour in 1997, and was honored in the UK with the Royal Philharmonic Award for Most Outstanding Debut. That debut recital was at London’s Wigmore Hall, and the Quartet has continued its warm relationship with Wigmore, appearing there regularly and serving as the hall’s Quartet-in-residence in the 2000-01 season. In recent seasons the Quartet has traveled widely, appearing all over the United States and Canada